If you enjoy the babe channel forums, you might have noticed or participated in the discussion about Babestation babes being featured in music videos. Over the years, the Babestation girls and presenters have featured in numerous mainstream television shows and films, with a few securing significant roles. Our live cam babes cannot only perform erotic stripteases on the British sex cams but also create an impressive performance in high-budget music videos. The forum provides some excellent examples on this topic, and we’ve included some of those here along with a few extra ones you may not have encountered before!

ashley emma

Giggs – Baby 

Dallas Morgan and Goddess M

In 2019, former studio66 babes Goddess M and Dallas Morgan, featured in Giggs’ artistic video for the track ‘Baby,’ and I’m sure you’d agree that they completely nailed it. Dallas Morgan and Goddess M are renowned for their appearances on the Babestation daytime show and nude cams, where viewers can catch a glimpse of their provocative topless performances. From their enticing Babestation live cam sessions to their playful phone interactions on Pervcam, Dallas Morgan and Goddess M never fail to entertain their fans.

Ghaati Trance – Jaspreet Jasz, Sonnu Kakkar

Ashley Emma

Former studio66 cams performer Ashley Emma is a fan favourite in the world of babeshows and one of the top babes in the Babestation schedule. In 2016 she made a striking appearance in Ghaati Trance’s video alongside Pushkar Jog, captivating audiences with her stunning presence. Her choice of outfit, inspired by Hindi fashion, accentuated her curves flawlessly, adding an extra layer of sex appeal to the visuals. The song featured in the video quickly became a favourite among Marathi film and TV enthusiasts. Directed by Sachin Gupta and performed by Jaspreet Jasz and Sonu Kakkar, the music video not only showcased Ashley Emma’s sex appeal but also highlighted the talents of the artists involved in its creation.

Doom Man – Have You Any Flows 

Tiffany, Dani O’Neal, Donna Duke

The smoking hot Babestation babes in Doom Man’s classic 2008 track ‘Have You Any Flows’ are Babeshow veterans Dani O’Neal, Tiffany Chambers, and Donna Duke. In the music video, Donna portrays Doom Man’s girlfriend, who pulls him from his babeshow porn fantasies.

Soulwax – E Talking 

Reede Fox

“E Talking” by the Belgian electro duo Soulwax, released in 2004, gained immense popularity for its unique concept. The music video provided an alphabetical list of various drugs, ranging from Amphetamines and Barbiturates to Zoloft, captivating audiences with its edgy and unconventional approach. One notable scene featured Reede Fox portraying ‘Ecstasy,’ depicted drugging an undercover police officer’s drink, adding a provocative twist to the video’s narrative. The song’s controversial yet attention-grabbing theme sparked discussions about drug culture and societal perceptions, showcasing Soulwax’s innovative style and willingness to push boundaries in their music and visuals. Despite its bold portrayal of drug references, “E Talking” remains a significant piece in electronic music history for its creativity and experimental nature.

50 Cent feat Justin Timberlake – Ayo Technology 

Jemma Jey & Porcha

“Ayo Technology” is the fourth single from 50 Cent’s third album, Curtis. This hit song features vocals from Justin Timberlake and production by Timbaland, adding to its star-studded lineup. The lyrics touch on the theme of a man feeling disillusioned with technology, reflecting on the complexities of modern life. The music video showcases performances by Jemma Jey and Porcha, adding an extra layer of sex appeal to the song. With its catchy beat, “Ayo Technology” became a chart-topping success and remains a fan favourite in both the hip-hop and pop music scenes.

David Guetta – The World is mine

Porcha

Porcha is highly sought after by recording artists, appearing in yet another music video. This time, she features in David Guetta’s hit track ‘The World is Mine,’ donning the outfit of a sultry nurse. Released in 2004, the song served as the third single from Guetta’s second album, Guetta Blaster.

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